I have long been fascinated by former GSUSA staff member Oleda Schrottky. But when I recently found this vintage photograph, I was in love.

Oleda Schrottky in costume (presumably), Macy Center, 1928 (Acme Newsphoto)

From 1921 to 1964, Schrottky was the Girl Scout “play lady.” She reluctantly took this position and over time crafted a one-of-a-kind job description uniquely tailored to her talents and convictions.

Why is Oleda Schrottky the coolest Girl Scout ever?

First, there is her name: Oleda Schrottky. Try saying it aloud a few times. Doesn’t it feel and sound fascinating?

From the Midwest to Massachusetts and Manhattan

Oleda Schrottky was born in Appleton, Wisconsin, in 1894. She was a highly educated woman for the era, attending Lawrence College, the University of Minnesota, and New York University.

She established herself as a well-regarded speech and drama instructor at Mount Holyoke College in Massachusetts. She frequently performed in professional productions, especially with the Provincetown Players.

She Admitted to Misunderstanding the Girl Scouts

In 1921, the Provincetown troupe debuted a new play in New York City, The Inheritors, written by Susan Glaspell and directed by Jasper Deeter. Twenty-seven Oleda memorably played the lead character’s grandmother.

After one show, Jasper introduced Oleda to his sister, Jane Rippin, who had greatly enjoyed her performance on several evenings.

Oleda was later astonished when Jasper commented that his sister was the executive director of the Girl Scouts. She could not believe that the aristocratic theater patron, dressed in an evening gown and furs, could possibly be a Girl Scout. She protested:

They wear khakis; they wear black khaki stockings; they wear the most awful-looking hats; they wear great big belts; they have got stuff hanging around like ropes and knives and they march. They are always marching and they are camping, they sleep in the poison ivy, they knock trees down, they dig holes, they cook meals. They are dreadful!

Leader (Winter 1985)

Obviously, she eventually changed her mind.

She Forged Her Own Path

Jane Deeter Rippin sought to hire professionals in the fine arts to train troop leaders in drama, music, and more. She offered Oleda a salary of $150 per month “and a lot of opposition.”

As promised, many volunteers and staff resisted the new initiative, but Oleda stood firm and eventually gained respect and her programs were praised. She originally meant to stay just a year, but 12 months rapidly turned into 40 years.

Play written by Oleda Schrottky

As Secretary of Plays and Pageants, Oleda wrote scripts, guidebooks, and ceremonies, and she travelled across the country helping adults and girls perform.

Her training courses included lessons on set construction, costume design, and the importance of understanding a play’s context. She published guides for Scout’s Own ceremonies, “Simple Dramatics for Girl Scout Troop Meetings,” and plays such as “Lend a Hand,” “Milestones: A Girl Scout Pageant in Seven Episodes Based on the Life of Juliette Low,” and “A Pot of Red Geraniums: A Christmas Play in Two Acts.”

While she insisted that any number of girls, even a handful, were sufficient for a dramatics program, Oleda preferred to stage her own pageants on a grand scale.

The photo above was taken during a dramatics course for leaders given at the Edith Macy Training School in 1928. All 150 students participated in “Nottingham Fair,” a pageant based on the Robin Hood story.

Oleda became an in-demand speaker across the United States. Her presentations were noted for their insight, humor, and ability to mobilize civic clubs and parent-teacher groups to support youth recreation and community theater.

She Helped Dedicate Rockwood

Oleda organized the dedication of Rockwood National Camp in 1952, combining it with a celebration of the 40th anniversary of Girl Scouting. She wrote a new pageant for the event and found a unique way to include thousands of Girl Scouts in a ceremony held at a relatively small venue.

Councils across the country were encouraged to hold their own community-wide campfire ceremony over the summer, make a bundle from the remains of the fire, attach a special message, and send it to Rockwood. No detail was left to chance:

These bundles of sticks should not exceed 12” in length; each piece of wood approximately one inch in diameter. We experimented and the simplest way is to make a cloth bag, of unbleached muslin or light-weight duck, with a draw string, then use mailing tape.

Twenty-nine bundles arrived in time for the dedication.

Oleda Schrottky examines bundles of sticks mailed to Rockwood National Camp (GSUSA archives)

She Retired from Work, But Not from Her Mission

Oleda officially retired from GSUSA in 1957. But she continued to work with young women and maintained a busy schedule as a guest speaker.

Too many of our children today just sit and want to be entertained. They must learn that they themselves have resources for entertaining.

–Oleda Schrottky, 1964

She passed away in August 1969, after giving presentations as recently as that May. She also had a speaking engagement booked for November 1969.

She Believed in the Importance of the Liberal Arts

I wonder how Oleda would fare in today’s Girl Scouting. We supposedly are fighting against a public image of preferring crafts over camping. Increasingly, Girl Scouting is focusing on developing skills in STEM — science, technology, engineering, and math.

These are undoubtedly valuable skills, especially in the 21st century.

But as a social scientist married to an architect and with a daughter in art school, I cannot ignore the value of non-STEM topics as well.

I hope we can find a balance that includes all of these subjects.

Otherwise, maybe I’ll have to wear my own floaty Maid Marian dress to the next Maker Fair.

©2018 Ann Robertson